With 17% of the global population diagnosed as neurodiverse, they make up a huge portion of audiences who need catering to. 'You can still be imaginative, colourful and functional at the same time. 'Brands can do so much more than producing larger type sizes and opening up kerning,' says Kirsty. That said, she still feels things need to be pushed further. So it's good news that discussion around neurodiversity and inclusivity has been one of the big typography trends of 2022, says Kirsty Minns, executive creative director at Mother Design. After all, if members of your audience literally can't read the text you have typeset, you have failed them 100 per cent. Accessibility for allĪccessibility is vital when it comes to type. First, though, let's set some context as our experts point to some key font trends that have characterised 2022 so far, and we can expect to see more of over the coming 12 months. With that in mind, below, you'll find 40 fantastic fonts for 2023. However, I've always found trends fascinating because they reflect the cultural attitudes of the moment.' In the words of Sarah Hyndman, author of the bestselling book Why Fonts Matter: 'What I'd say about type trends is for designers not to get too hung up on them and to focus on what's appropriate for the audience. But you should at least keep your mind open to the possibility.

Of course, just because a particular font is 'trending' doesn't mean you should use it. While our list can never be fully comprehensive, we hope it gives you a flavour of how 2022 has shaped next year's big expected hitters and what fonts will likely be big in 2023.

To help you stay abreast, each year, we put a lot of effort into researching the fonts that are currently in use throughout the design world and whittle down the most important, useful and intriguing ones for you to consider. So it's always good to look for new fonts that can help you mix things up, experiment, and hopefully come up with visuals that will entice and excite you. But while that may make it easy to keep churning out good, solid, dependable designs, it does run the risk of becoming. Once you've been a designer long enough, it's common to find yourself sticking to the same, tried-and-tested typefaces year in, year out.

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